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“城·象—李象群艺术展”即将亮相故宫博物院

2016-11-8 14:29| 发布者: admin| 查看: 400| 评论: 0

摘要: “城·象—李象群艺术展”即将亮相故宫博物院故宫博物院即将于2016年11月11日在建福宫花园首次推出大型户外雕塑艺术展“城·象——李象群艺术展”,展出著名艺术家李象群最新创作的“元四家”系列作品以及“大紫禁城 ...

“城·象—李象群艺术展”即将亮相故宫博物院

故宫博物院即将于2016年11月11日在建福宫花园首次推出大型户外雕塑艺术展“城·象——李象群艺术展”,展出著名艺术家李象群最新创作的“元四家”系列作品以及“大紫禁城”、“行者”等代表作,让当代雕塑与紫禁城的古典建筑、经典收藏跨时空对话。

这是李象群全球巡展的首站,之后还将前往上海、德国波恩等国内外主要美术馆、博物馆展出。在故宫博物院举办的本次展览为学术研究性展览,仅限提前预约参观,不对外开放参观和售票。

展览名称:城•象 ----李象群艺术展

Cityvs. Phenomenon: Li Xiangqun's Art Exhibition

总策划:陈喆

Designerin Chief : Chen Zhe

学术主持:王鲁湘

AcademicDirector Wang Luxiang

策展人:张子康

CuratorZhang Zikang

展览总监:王永刚

ExhibitionSupervisor: Wang Yonggang

策展助理:杨欣欣 李孟阳

AssistantCuratorsYang Xinxin  Li Mengyang

视觉形象设计: 柴亚晶

Visual Design:Chai Yajing

主办单位:故宫博物院

OrganizerThe Palace Museum

承办单位: 雅昌文化集团   ZERO零艺术中心

UndertakerArtron Art Group  ZERO Art Center

特别支持单位:北京平阁九鼎美术馆

Special SupportingInstitutionBeijing Pingge-Jiuding Art Gallery

VR支持单位:鑫创艺   鲁迅美术学院传媒动画学院

VRSupporting Institution New Creation Animation Media College of LAFA

开幕时间:20161111日(周五)  1400

OpeningCeremony2016.11.11(周五)   1400

展览时间:20161111日——20161126

ExhibitionTime Schedule2016.11.11——2016.11.26

展览地点:故宫博物院建福宫花园

ExhibitionVenue: in the Garden of Established Happiness in Forbidden City

预约电话:+86 10  5978 9931 59789935

Reservations:  +86 10 5978 9931  59789935

 

“大紫禁城”、元四家跨时空对话紫禁城

目前展览正在故宫建福宫花园中紧张布展,李象群占地200多平米的大型雕塑作品《大紫禁城》走进真正的紫禁城,占据了建福门前的院落,在故宫的红墙、黄瓦、青松、翠柏掩映之下场面壮观,气势撼人,构成了当代艺术创作和故宫这一中国古典建筑精华的跨时空对话。这件作品用白铜铸造了紫禁城建筑全景,分割成25个相对独立的单元,观众可以穿行其中体验和欣赏。

这次展览还将首次展出李象群的新作“元四家”系列,黄公望、倪瓒、吴镇、王蒙这四位元代伟大画家在中国艺术史上享有崇高地位。李象群从自己的文化观念和艺术感悟角度为他们造像,如作品《黄公望》表现的是黄公望作画的一种状态,他已经不再用笔,而是意念,另一件作品《王蒙》则是躺卧姿态,一片禅意与闲适,它更为浸入古代文人个体生命的气韵,在诗意的休憩中遗忘世俗的尘嚣,以古代文人为载体展现艺术家的体验和感受。向东方写意艺术精神致敬。

本次展览的策展人、中国美术馆副馆长张子康认为李象群的“元四家”等近期创作的人物雕像相比他之前的作品更加抽象灵动,可以说是向中国文人画的写意精神致敬,他故意将铸铜作品做成类似寿山石的效果,更是和中国文人的赏石、文房文化呼应。

李象群是当代最著名的雕塑艺术家之一,他毕业于鲁迅美术学院雕塑系,先后任教于鲁迅美术学院、中央美术学院、清华大学美术学院,现任鲁迅美术学院副院长、清华大学美术学院教授、博士生导师。第十二届全国政协委员,第十二、十三、十四届北京市人民代表大会代表、辽宁省第十二届人大常委会委员。作为中国当代雕塑的领军人物之一,李象群将“新人文主义”理念融入到作品中,创作的肖像人物作品《红星照耀中国》、《阳光下的毛泽东》等都带给观众震撼与感动,多件作品被国家博物馆、中国美术馆、中国现代文学馆、国际奥委会等国内外著名博物馆、国际组织收藏。

李象群是我国当代雕塑艺术界的领军人物,他的雕塑作品在国际上屡获重要奖项,其雕塑水准和艺术品位得到了广泛的认可。

纯熟的雕塑手法、对材料语言的自如把控,以及持续不断的突破性思考,使得李象群在雕塑创作上往往可以做到“举重若轻”——从艺术家的角度讲,手法上看起来轻松自如,可内心却“如履薄冰”般紧张而又笃定;从作品的角度看,人物造型形神泰然自若,但其背后的力量感穿透人心。

雕塑是空间的艺术,它存在于空间,也赋予空间意义。但此次展览,艺术家李象群追求的是对雕塑艺术一般意义的超越。一方面,这些作品都与历史题材有关,这就加入了时间的观念;另一方面,将这些作品置于紫禁城这一具有特殊历史意义的物理空间更是大大拓展了作品和展览的意涵。毋宁说,展览本身就是对雕塑和空间关系的再探讨,是一件更为宏大的作品。

举例来说,《大紫禁城》是艺术家为中国历史文化高度符号化的物理建筑的造像。但显然,在造像的手法上,艺术家以解构的方式重建了“紫禁城”。“今人不见古时月,今月曾经照古人。”今天的我们已经无法看到昔日的紫禁城,但今天的紫禁城曾聆听了中国封建王朝最后的挽歌。以“皇宫”为功能的紫禁城已经不存在了,但是它存在在历史中,也保存在了艺术家的雕塑中。在《元四家》和《东坡》中,艺术家更是来用写意的方式来探讨中国传统文人精神的当下表达……将这些形式化、物质化的时间,共置于紫禁城,这一时间的见证者,是一项非常难得和有价值的行为。将艺术家创造的“紫禁城”、作为博物馆存在的今天的“紫禁城”以及“紫禁城”这一符号并置,形式化的时间被巧妙地安放在见证时间的空间中,通过这样的方式,艺术家让“紫禁城”看到“自己”,让历史看到当下,在此,时间和空间彼此观照,互为客体。

李象群视“提出问题和提供思考问题的空间”为当代艺术家的社会责任。萨特说,人给世界带来了“无”。世界因为有了人的存在,世界的意义就变了。让我们把人的范围缩小到艺术家群体,世界的意义出现了更为丰富的变化。艺术使作品成为艺术作品,使人成为艺术家。艺术让存在显现,让历史显现,但艺术保存的是自由,所以,艺术保存的历史、生活、思想都是自由的。艺术让活的历史显现。

“人人都可以质疑历史”,究竟什么是历史真实?历史的意义为何?艺术家是自由的,他们可以天马行空,答案也是开放的,观众可以随意揣测艺术家的意图,这种自由性,成就了艺术,也成就了艺术家和艺术品。艺术家无意提供结论,但愿意通过展现自己的思考来唤醒更多思考的可能。

张子康

Li Xiangqun is the leading figure inChina's art circle of contemporary sculpture. Having won major awards aroundthe world repeatedly, his sculptures have been widely recognized for the sculptingtechniques as well as the art taste.

The skillful sculpting techniques,the free control over the material language and the constant groundbreakingthinking have enabled Li Xiangqun to “handle complicated matters with ease” when working on sculptures—from the perspective of the artist, his techniques may seem to be freeand relaxed, but his heart is nervous yet steadfast “as if treading on thin ice”; and from the perspective of the art works, thecharacter modeling is in perfect composure, while the power behind the artworks can touch people deeply in their hearts.

Sculpture is the art of space. Itexists in the space, while granting the space its meaning. But what Li Xiangqunis pursuing in this exhibition is to transcend the general sense of sculptureart. On the one hand, all these art works are related to history, which hasintegrated the concept of time; on the other hand, presenting these works inthe Forbidden City, a physical space with the special historical significance,has greatly expanded the connotation of the art works and that of theexhibition. What’s more, being a re-discussion on the relationship betweensculptures and the space, the exhibition itself is an even grander piece of artwork.

For example, the Great Forbidden Cityis the statue the artist has created for this physical architecture, whichhighly symbolizes Chinese history and culture. But obviously, the artist hasadopted the approach of deconstruction to reconstruct the “Forbidden City”. “People nowadays cannot see the moonin ancient times while the current moon has shined over the ancient people.” Today we are unable to see the Forbidden City inthe past, but today’s Forbidden City has heard the last lament of Chinesefeudal dynasty. The function of the Forbidden City as “the imperial palace” has faded, but it is preserved in the history and captured in the artist’ssculpture. In “Four Representative LandscapePainters of Yuan Dynasty”and “Su Dongpo”, the artist has adopted the freehandapproach to explore the current expression of the spirit oftraditional Chineseliterati... Collocating the formalized and materialized time in the ForbiddenCity, which is the witness of time, is a very rare and valuable behavior. Byplacing the Forbidden City that the artist has created, together with the Forbidden City, which now exists as a museum, and the symbols of the Forbidden City, the formalized time has been skillfully placed in the space which haswitnesses the time. In this way, the artist provides a chance for the Forbidden City see itself and makes current visible for the history. Here, time and space reflecton each other, taking each other as its reciprocal object.

Li Xiangqun regards "raisingquestions and providing room for thinking" as the social responsibilitiesof contemporary artists. Sutter said that it was men who brought the Nothingness to the world. Because of the being of men, the significance of the worldchanged. When we narrow the scope of men down to the group of artists, thesignificance of the world will change in a more abundant and diverse way. Artmakes a work an artwork and a man an artist. Because of art, being is disclosedand the history is revealed. As what art preserves is freedomthe history, the life and the thoughts preserved inart are all free. Art gets the living history indicated.

Everyone can doubt the history, then what on earth is the historical truth? Whatis the meaning of history? Artists are free to create art works with anunrestrained and vigorous style that brims with talent while the answer is alsofree so that the audience can interpret the intentions of artists. And thisfreedom has instigated art and facilitated artists and their art works. The Artisthas no intention to provide a conclusion, but he is willing to arouse thepossibility of more thinking by presenting his own thinking.

                                          ZhangZikang


展览时间:2016年11月11日至11月26日

开幕时间:2016年11月11日14:00


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